Wednesday, 26 July 2017

ADVERTISEMENTS FOR LANDSCAPE #2

Another homage to Tschumi:


Russian anarchist Michael Bakunin once claimed that “the urge to destroy is also a creative urge”. 
His great political rival, Marx, identified the concept of creative destruction as the process by which capitalism clears the ground (be it through war or economic crisis), to pave the way for new innovation. 

The organism sweeps across the landscape, consuming all.
#advertisementsforlandscape

Monday, 24 July 2017

MAP OF THE WEEK #4

This week's map of the week arrives courtesy of artist Emma McNally. Like the previous two featured artists (Emily Garfield and Derek Lerner) Emma McNally's work is inspired by a vast range of phenomena, from cities to organic structures, all of which seem to relate to one another in that curious, fractal manner underpinning the machinery of the universe. In her own words: 

"I mine all sorts of ways of thinking visually about space and time: the spiral paths of particles in bubble chambers, which are infinitely fast and small; images of cellular mitochondria; the Hubble Deep Field images that probe deep time, where all time is held in the surface of the image but can’t be reached. I like looking at images that show fleeting events and images of aerial views of cities at night—all the emergent formations at a macro scale that look like deep-sea organisms in the dark water. I also love aerial images of airports, both in use and obsolete, as well as the Nazca Lines."


The map above gives the impression of being a nautical navigational chart, or maybe a weather map, but ultimately the viewer lacks the key or legend to unlock the meaning of its symbols and lines. Without this, the map becomes appreciable only in terms of its own aesthetic, granting it a tantalising mystique. We are invited to peek into another world, one which may or may not exist beyond the limits of our own realm, but we cannot visit. This might be true for most of the maps featured here, but Emma McNally's work has a strong orthographic quality that makes it more... authoritative.

Have a look at her Flickr account, it's stunning:


Monday, 17 July 2017

MAP OF THE WEEK #3

This week's map of the week is taken from the sketchbook of artist Emily Garfield.


Emily Garfield creates maps from her imagination, explorations of cartography and urbanism in pen and ink. Much of her work is for sale at her site https://www.emilygarfield.com/.

The particular image is taken from her sketchbook, produced as part of a process of self examination, more of which can be read about on her blog.

Thursday, 13 July 2017

24 HISTORIC STYLES DÉTOURNED: PART II of XXIV

An occasional series playing with historic garden plans taken from Turner's 24 Historic Styles of Garden Design, published by Gardenvisit.com.



What we might be looking at:

Bam. Circles, lines and a grid. This is clearly a constructivist painting! Except it isn't, it's a garden plan. So we have a wild outer edge- we can assume it's vegetation, but there's something spiky about the scheme which suggests that they could just as well be stalagmites.

The combination of spikes and the garden geometry conjures images of a violent sport, something like Speedball 2 or Salute of the Jugger. Actually, it's far more likely that the giant circle in the centre inspired that particular interpretation. It's now getting harder and harder to imagine how a game might be played here. Where's the goal? Where would the teams muster?

That said, there's something of a bowling green to the central rectangle. If this were a postmodern garden plan (which it is) then an ironic anachronism would be entirely in-keeping with that particular school of design. But by now I've revealed that I'm already familiar with the plan. This clearly references Tschumi's famous Parc de la Villette

What we are actually looking at:
Yes, this is a postmodern garden. Turner has a lot to say about postmodernism in City as Landscape, but in 24 Styles... he is more generous, noting the inventive use of geometry and materials that characterise postmodernism in landscape design:


"Geometrically, postmodernism is associated with a layered and deconstructive geometry. Rectangles clash with circles and are interscected by hapazard diagonals, as in a Russian constructivist painting. Steel and concrete structures are painted in bright col ours. Glass and other reflective surfaces help create illusions and startling visual effects."

-Twenty Four Historic Styles of Garden Design , page 71

Monday, 10 July 2017

MAP OF THE WEEK #2

This week's map of the week is brought to you by New York based artist Derek Lerner, ASVIRUS 39.


Taken from a series of paintings (ASVirus##), the hand-drawn image very closely resembles a city plan, albeit one that is fragmenting or being reconfigured. Lerner states on his website that he has an interest in systems, urbanism, and disease, amongst many other things, and this is reflected in the cyborg aesthetic that he is somehow able to convey through these monochromatic plans.

In a statement for the Conveniant Gratification exhibition at which this work was exhibited, Lerner said that all these pictures are produced using a simple rollerball pen. No drafting or planning is carried out, with the drawings growing organically as ink is applied to paper.

To enjoy more of his work, please have a look at the thumbnails page of his website http://dereklerner.com/Art/Thumbnails.

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